Blu42 Media

Three Celebrated Women of the Crimea

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Princess Gallitzin, whose religious sentiments were perhaps less sincere, thought no more of making conversions after she had installed herself in her delightful villa on the coast. Throwing off for ever the coarse beguine robe, she adopted a no less eccentric costume which she retained until her death. It was an Amazonian petticoat, with a cloth vest of a male cut. A Polish cap trimmed with fur completed her attire, that accorded well with the original character of the princess. It is in this dress she is represented in several portraits still to be seen in her villa at Koreis.

The caustic wit that led to her disgrace at the court of St. Petersburg, her stately manners, her name, her prodigious memory, and immense fortune, quickly attracted round her all the notable persons in Southern Russia. Distinguished foreigners eagerly coveted the honour of being introduced to her, and she was soon at the head of a little court, over which she presided like a real sovereign. But being by nature very capricious, the freak sometimes seized her to shut herself up for whole months in total solitude. Although she relapsed into philosophical and Voltairian notions, the remembrance of Madame de Krudener inspired her with occasional fits of devotion that oddly contrasted with her usual habits. It was during one of these visitations that she erected a colossal cross on one of the heights commanding Koreis. The cross being gilded is visible to a great distance.

Her death in 1839 left a void in Russian society which will not easily be filled. Reared in the school of the eighteenth century, well versed in the literature and the arts of France, speaking the language with an entire command of all that light, playful raillery that made it so formidable of yore; having been a near observer of all the events and all the eminent men of the empire; possessing moreover a power of apprehension and discernment that gave equal variety and point to her conversation; a man in mind and variety of knowledge, a woman in grace and frivolity; the Princess Gallitzin belonged by her brilliant qualities and her charming faults to a class that is day by day becoming extinct.

Now that conversation is quite dethroned in France, and exists only in some few salons of Europe, it is hard to conceive the influence formerly exercised by women of talent. Those of our day, more ambitious of obtaining celebrity through the press than of reigning over a social circle, guard the treasures of their imagination and intellect with an anxious reserve that cannot but prove a real detriment to society. To write feuilletons, romances, and poetry, is all very well; but to preside over a drawing-room, like the women of the eighteenth century, has also its merit. But we must not blame the female sex alone for the loss of that supremacy which once belonged to French society. The men of the present day, more serious than their predecessors, more occupied with positive, palpable interests, seem to look with cold disdain on what but lately commanded their warmest admiration.

But we have lost sight of the Countess Guacher, who is not for all that the least interesting of our heroines. Resigning herself with much more equanimity than her companions to the necessity of leaving the Tatars alone, she hired for herself, even before their complete separation, a small house standing by itself on the sea shore; and there she took up her abode with only one female attendant. Following the example of the Princess Gallitzin, she threw off the beguine robe and assumed a kind of male attire. For some time her existence was almost unknown to her neighbours; so retired were her habits. The only occasions when she was visible was during her rides on horseback on the beach, and it was noticed that she chose the most stormy weather for these excursions.

But her recluse habits did not long conceal her from curious inquiry. A certain Colonel Ivanof, who had noticed the strange proceedings of the pilgrims from their first arrival in the Crimea, set himself to watch the countess, and at last took a house near her retreat; but in order that his presence might not scare her, he contented himself for some weeks with following her at a distance during her lonely promenades, trusting to chance for an opportunity of becoming more intimately acquainted with her. His perseverance was at last rewarded with full success.

One evening, as the colonel stood at his window observing the tokens of an approaching storm, he perceived a person on horseback galloping in the direction of his house, evidently with the intention of seeking shelter. Before this could be accomplished the storm broke out with great fury, and just then the colonel was startled by the discovery that the stranger was his mysterious neighbour. The sequel will be best told in his own words: