Every thing on this mountain wears a grand and melancholy character. Desolation has long taken it for its domain. Nothing meets the eye but ruins, tombs, and a naked soil. And yet, notwithstanding the stern aspect of the place, it does not fill the soul with the same feelings of painful awe as Tchoufout Kaleh. This is because the ancient town of the Karaites, all mutilated as it is by time and events, still retains a semblance of existence, and this alliance between life and death necessarily impresses the mind with a superstitious dread. At Mangoup Kaleh all human traces have been too long effaced to awaken painful thoughts. There one thinks not so much of men as of remote epochs, of the great events and numerous revolutions of which this rock has been the theatre.
The facade of the fortress has withstood the slow attacks of time, though full of cracks, and the lofty walls appear still from a distance to protect Mangoup Kaleh. Herds of Tatar horses graze in complete freedom on the plateau, and drink from a large reservoir supplied by a spring that never fails in any season. As we were exploring the interior of what must have been the citadel, we came upon a clump of lilacs in full bloom among the ruins. I cannot tell the impression made on me by those flowers thus unfolding their sweets under the dew of Heaven far from every human eye. Besides the fortress we found another edifice partly spared by time. Its construction and the graves about it showed it to be an old Christian church. The chancel was in tolerably good preservation, and even the windows had not suffered much dilapidation.
The view from Mangoup Kaleh is very extensive and varied. On the one side is the sea with its islands and capes, its vessels, and Sevastopol, which can be distinctly perceived in clear weather. To the west, magnificent orchards, vine-clad hills, and broad meadows, intersected with streams, stretch away as far as the eye can reach in the direction of Simpheropol; then, at the foot of the mountain, the valley of Karolez, its forests, its rocky girdle, its Tatar village, and the palace of the princess Adel Bey, disclosing its Moorish architecture from behind a screen of poplars.
At the earnest recommendation of our guides, I ventured to explore some grottoes hollowed in the rock, the descent to which is rather difficult and dangerous. There are about a dozen of them opening one into the other, and separated only by shapeless pillars. The Tatars could give us no sort of explanation as to these subterraneous chambers. They seem like those of Inkermann to belong to very remote antiquity, but their origin and history are quite unknown.