A change for the better

As to the town, words could not describe its filth, its horrors, its hospitals, its burials, its dead and dying Turks, its crowded lanes, its noisome sheds, its beastly purlieus, or its decay. All the pictures ever drawn of plague and pestilence, from the work of the inspired writer who chronicled the woes of infidel Egypt, down to the narratives of Boccacio, De Foe, or Moltke, fall short of individual "bits" of disease and death, which any one might see in half-a-dozen places during half an hour's walk in Balaklava. In spite of all our efforts the dying Turks made of every lane and street a cloaca, and the forms of human suffering which met the eye at every turn, and once were wont to shock us, ceased to attract even passing attention. By raising up the piece of matting or coarse rug which hung across the doorway of some miserable house, from within which you heard wailings and cries of pain and prayers to the Prophet, you saw in one spot and in one instant a mass of accumulated woes that would serve you with nightmares for a lifetime. The dead, laid as they died, were side by side with the living. The commonest accessories were wanting; there was not the least attention paid to decency or cleanliness — the stench was appalling — the fœtid air could barely struggle out to taint the atmosphere, through the chinks in the walls and roofs. The sick appeared to be tended by the sick, and the dying by the dying.{193}